The Secret of the Old Swing Bridge was recently reviewed for Homeschool Horizons, a brand-new Canadian magazine. Five homeschooling families took the time to read the book over the summer, and their reviews are posted on the Homeschool Horizons website. Here is an excerpt from a review by Heidi Shaw:
"Ian Wilson’s first foray into novel writing is a fun adventure with lots of twists and turns. Written primarily for the late elementary through middle school aged student, my kids found it entertaining and interesting, as did I. Without giving away too many surprises, I can tell you that if your and your children have any interest in Canadian locales, the fun situations 12 year olds can get themselves into, trains, mysteries, etc etc etc. you will find something to enjoy in this book. Young Angus Wolfe loves to explore, loves history and loves his family. His is a good, wholesome character, well rounded and developed (and home educated!), and the story as a whole reads well. The characters Angus and his brother meet are interesting and made me want to find out more of their history as we read."
You can read all five complete reviews here:
http://www.homeschoolhorizons.ca/2011/09/review-the-old-swing-bridge/
Saturday, October 15, 2011
Tuesday, September 27, 2011
eBook now available!
The Secret of the Old Swing Bridge is now available as an eBook! You can purchase it from just about any eBook supplier, but by using the following link, you support the author/publisher directly. Click the BUY button below the image to purchase; click READ for an excerpt.
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Sunday, July 3, 2011
The Royal Tour
I have been following the Royal Tour of the Duke and Duchess of Cambridge these past few days. It is remarkable how much the coverage is reminiscent of that in 1939, when King George VI and his consort Queen Elizabeth toured Canada. There is the same freshness and display of affection which I have noted while researching The King's Puzzle. And I enjoy seeing so much emphasis placed on our British traditions and military history during their travels. Makes me feel that the Canada of pre-1968 is coming back.
Of course, there are the naysayers who bash the Monarchy. But in that regard, I turn to my friend Bill Gairdner's words regarding our Canadian legal system:
"It needs criticism and ongoing improvement. But compared to the legal systems of other cultures? No contest! To Mother England we owe most of the freedoms and the common law rights that we too often take for granted. Superior is the British-based right to private property we have known since the twelfth century. Superior are the individual freedoms and rights to protection from Statism that were enshrined in Magna Carta in 1215, and improved and defended ever since (well, until 1982 in Canada). [Observe] the contrast between the British-based common law system and the French-based code law system, and the superiority of the former. That all who have thrown in their lot with the English bottom-up common law system are free to do anything that is not prohibited by the law is an extraordinary inheritance of the English people. We are presumed free by birth and by inherited right. This stands in stark opposition to the dictates found in so many top-down nations of history where citizens are permitted to do only what is specified--or altered by judges--in a written code. Canada's Charter of Rights and Freedoms [thank you, Pierre Trudeau--I.W.] has seriously undermined our proud legal tradition."
Of course, there are the naysayers who bash the Monarchy. But in that regard, I turn to my friend Bill Gairdner's words regarding our Canadian legal system:
"It needs criticism and ongoing improvement. But compared to the legal systems of other cultures? No contest! To Mother England we owe most of the freedoms and the common law rights that we too often take for granted. Superior is the British-based right to private property we have known since the twelfth century. Superior are the individual freedoms and rights to protection from Statism that were enshrined in Magna Carta in 1215, and improved and defended ever since (well, until 1982 in Canada). [Observe] the contrast between the British-based common law system and the French-based code law system, and the superiority of the former. That all who have thrown in their lot with the English bottom-up common law system are free to do anything that is not prohibited by the law is an extraordinary inheritance of the English people. We are presumed free by birth and by inherited right. This stands in stark opposition to the dictates found in so many top-down nations of history where citizens are permitted to do only what is specified--or altered by judges--in a written code. Canada's Charter of Rights and Freedoms [thank you, Pierre Trudeau--I.W.] has seriously undermined our proud legal tradition."
Thursday, June 23, 2011
Author visit to Washago School
On June 2, the whole Wilson family enjoyed visiting Rama Central Public School in Washago. Ian's PowerPoint presentation to the Grade 4, 5 & 6 classes was followed by a lively question and answer period. All these students had read The Secret of the Old Swing Bridge in class, so they were curious about the background of the story and the writing process. The familiar setting of Washago and environs made Angus's adventures all the more real to them!
Here's Ian with Matilda, the girl who introduced her teacher, Mr. Elliott (on the right) to The Secret of the Old Swing Bridge.
Couldn't resist taking a photo of three kids named Spencer! The one on the far right is Spencer Wilson.
In the afternoon, Ian led Mr. Elliott's Grade 5 class on a tour of some of the sites featured in The Secret of the Old Swing Bridge. Here we are at the end of the road where the old Highway 11 swing bridge used to span the Trent-Severn Canal.
Here is the old White Rose Station which provided the inspiration for Eddie's garage and house.
By the tracks in Washago . . .
Mr. Elliott's class, plus a few visitors . . .
Exploring the park where Angus lost his toy rocket
By sheer coincidence, we were visited by the real "Hookah Hopkin" at our home in Orillia later that day. You just never know when this leather-clad recluse is going to turn up on your doorstep!
Saturday, June 18, 2011
Some thoughts as I work on the backstory for "The King's Puzzle"
I have by my desk a series of books on the craft of novel writing by James N. Frey. They have served me well on this wonderful journey into the fiction writer's domain. Frey likens a writer's journey to that of a hero's in a novel or in mythology: a trek into the "mythological woods". In the mythological woods, the writer comes to grips with various 'monsters' in his imagination. Writing, that is, honest writing, is a trip through the mythological woods, overpowering the scary stuff which lurks behind the trees.
In the fascinating process of creating The King's Puzzle, I am digging deep to find what it is that I stand for as a writer and as a person. This essence or purpose for a writer, once understood and defined, cannot help but pervade the author's work. Writing is not for the squeamish--it is ultimately a soul-baring experience. Woe to the individual who believes serious writing is anything less.
Anyway, to The King's Puzzle. In this upcoming novel I will present a riveting story, at times venturing from a mystery into the "thriller" category. I am a conservative, and social conservative (I believe the two labels are inseparable) writer. In this novel, I will be presenting themes, premises, overarching ideas, subtext--whatever label may be applied to describe a novel's, and author's, essence--which will be against the grain of much of the current establishment of Canadian literature.
In some blog reading this morning, I came across a fellow named Conrad DiDiodato, who is a Canadian poet and teacher. Visit his blog at http://didiodatoc.blogspot.com/. A paragraph from Conrad's blog from about a year ago jumped out at me, as I contemplate the themes I will be presenting in The King's Puzzle, and how they will likely be contrary to those permeating much of the body of work which we classify as today's Canadian Literature. I have never applied for, or accepted, public funding for any of my books. I certainly do not intend to reverse that practice with The King's Puzzle. This entry from Conrad sums up my own thoughts on public funding for the arts in Canada:
"It's too easy to write in Canada: state intervention is usually anything but oppressive. Cultural productions in this country, in fact, are the result of a system of "literacy by bureaucracy" in which artistic output is tied directly to publicly funded Canada Council (and other various regional) grants & subsidies programs. A kind of 'royal privilege' granted to permissible writings. Envisaged as a strategic plan,with objectives and strategies aimed at blending as many "traditions, practices, and media" into one national body of work, it's no wonder so much of our national literature looks bland and uniform. Any kind of protest is bound to come (as it has lately with news of more Harper government arts cuts) when artist-recipients stop receiving their arts monies or not as much as they've been accustomed to. Nothing stirs more heated debate than any form of cuts to cultural spending. I don't ever recall a national debate on literary innovation nor any sort of impassioned oratory from poets & artists to equal the fervor of government funding."
In the fascinating process of creating The King's Puzzle, I am digging deep to find what it is that I stand for as a writer and as a person. This essence or purpose for a writer, once understood and defined, cannot help but pervade the author's work. Writing is not for the squeamish--it is ultimately a soul-baring experience. Woe to the individual who believes serious writing is anything less.
Anyway, to The King's Puzzle. In this upcoming novel I will present a riveting story, at times venturing from a mystery into the "thriller" category. I am a conservative, and social conservative (I believe the two labels are inseparable) writer. In this novel, I will be presenting themes, premises, overarching ideas, subtext--whatever label may be applied to describe a novel's, and author's, essence--which will be against the grain of much of the current establishment of Canadian literature.
In some blog reading this morning, I came across a fellow named Conrad DiDiodato, who is a Canadian poet and teacher. Visit his blog at http://didiodatoc.blogspot.com/. A paragraph from Conrad's blog from about a year ago jumped out at me, as I contemplate the themes I will be presenting in The King's Puzzle, and how they will likely be contrary to those permeating much of the body of work which we classify as today's Canadian Literature. I have never applied for, or accepted, public funding for any of my books. I certainly do not intend to reverse that practice with The King's Puzzle. This entry from Conrad sums up my own thoughts on public funding for the arts in Canada:
"It's too easy to write in Canada: state intervention is usually anything but oppressive. Cultural productions in this country, in fact, are the result of a system of "literacy by bureaucracy" in which artistic output is tied directly to publicly funded Canada Council (and other various regional) grants & subsidies programs. A kind of 'royal privilege' granted to permissible writings. Envisaged as a strategic plan,with objectives and strategies aimed at blending as many "traditions, practices, and media" into one national body of work, it's no wonder so much of our national literature looks bland and uniform. Any kind of protest is bound to come (as it has lately with news of more Harper government arts cuts) when artist-recipients stop receiving their arts monies or not as much as they've been accustomed to. Nothing stirs more heated debate than any form of cuts to cultural spending. I don't ever recall a national debate on literary innovation nor any sort of impassioned oratory from poets & artists to equal the fervor of government funding."
Thursday, June 2, 2011
Book review by The Canadian Homeschooler
Lisa Marie Fletcher, who maintains a website called The Canadian Homeschooler, recently did a review of The Secret of the Old Swing Bridge. We like what she had to say:
Get ready for an adventure – here comes Angus Wolfe!
I’m excited to introduce a fun new fiction series by Canadian author Ian Wilson. This first book, The Secret of the Old Swing Bridge, is the beginning of a series that follows the mystery-adventures of a 12 year old Ontario boy named Angus Wolfe. In this first book, he stumbles onto some old documents which throw him and his new assistant, a homeschooled girl named Amanda, deep into a mystery that leads them on a journey through the history of World War II and how it affected the nearby town of Washago, Ontario. The deeper the adventure goes, the more the answers come closer to home.
I took the time to read this novel and was deeply drawn into an engaging and mysterious story that left me wondering til the end! I really enjoyed it.
You can read the complete posting here: http://thecanadianhomeschooler.com/2011/05/angus-wolfe/
This website is chock full of useful information and resources for Canadian homeschoolers. This month, visitors to the site have the opportunity to win a copy of The Secret of the Old Swing Bridge.
Thanks Lisa Marie!
Get ready for an adventure – here comes Angus Wolfe!
I’m excited to introduce a fun new fiction series by Canadian author Ian Wilson. This first book, The Secret of the Old Swing Bridge, is the beginning of a series that follows the mystery-adventures of a 12 year old Ontario boy named Angus Wolfe. In this first book, he stumbles onto some old documents which throw him and his new assistant, a homeschooled girl named Amanda, deep into a mystery that leads them on a journey through the history of World War II and how it affected the nearby town of Washago, Ontario. The deeper the adventure goes, the more the answers come closer to home.
I took the time to read this novel and was deeply drawn into an engaging and mysterious story that left me wondering til the end! I really enjoyed it.
You can read the complete posting here: http://thecanadianhomeschooler.com/2011/05/angus-wolfe/
This website is chock full of useful information and resources for Canadian homeschoolers. This month, visitors to the site have the opportunity to win a copy of The Secret of the Old Swing Bridge.
Thanks Lisa Marie!
Friday, May 6, 2011
Regular Saturday gig
A reminder that we are set up every Saturday from 7:30 a.m. to 12:30 p.m. at the Orillia Farmer's Market in our fair city. Browse and/or purchase any of the books we have in stock, or just come to chat! I've been filling visitors in on The King's Puzzle. Today I wrote Chapter 8 of an anticipated 25 chapters.
To quote the Orillia Farmer's Market publicity blurb:
"This is one of the longer-running farmers' markets in the province, with its roots in the 1840s. The Farmers' Market continues to proudly boast of its range of locally produced foods, handmade crafts from around the county and regularly scheduled special events for the family. Our growers offer fresh-picked produce in season, and drug-free meats, with a variety of baked goods and ready-to-eat treats in a sociable atmosphere. Bring your family, meet your friends, shop the vendors, enjoy the talent of local musicians in the Market Cafe."
To quote the Orillia Farmer's Market publicity blurb:
"This is one of the longer-running farmers' markets in the province, with its roots in the 1840s. The Farmers' Market continues to proudly boast of its range of locally produced foods, handmade crafts from around the county and regularly scheduled special events for the family. Our growers offer fresh-picked produce in season, and drug-free meats, with a variety of baked goods and ready-to-eat treats in a sociable atmosphere. Bring your family, meet your friends, shop the vendors, enjoy the talent of local musicians in the Market Cafe."
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